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Kester at five thirty till about seven p m, thirteen november twenty eleven. So I found out, after I recorded, and while I was editing this… that my right hand was playing the keys of G minor. And G minor is quite the key.
“G-Moll war für Mozart zeitlebens die Schicksaltonart, die ihm für den Ausdruck des Schmerzes und der Tragik am geeignetsten erschien.” (“G minor was, for Mozart, the most suitable fate-key throughout his life for the expression of pain and tragedy.”)
Says much, without saying a thing. Ergo.
(10 plays)-
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